A professional wedding photographer ensures a seamless and enchanting visual narrative of the couple’s special day, capturing every cherished moment from start to finish. The process begins with a pre-wedding consultation, where the photographer gets to know the couple’s preferences, style, and specific requests. They collaborate on a timeline and discuss essential details to ensure a comprehensive coverage.
On the wedding day, the photographer expertly captures the unfolding events, including the bride and groom getting ready, the ceremony, and the joyous celebration that follows. They skillfully blend traditional portraits with candid shots, preserving the genuine emotions and unique personalities of the couple and their loved ones.
The post-production phase is equally meticulous, with the photographer enhancing and editing the images to perfection. The final deliverables often include a high-quality wedding book that serves as a timeless keepsake, showcasing the most memorable moments in a visually stunning layout. This professionally curated book becomes a tangible reminder of the couple’s love story, with each page reflecting the artistry and passion the photographer invested in capturing their day.
In addition to the wedding book, couples receive a diverse collection of images, including meticulously edited portraits and spontaneous candid shots. The professional wedding photographer’s commitment to excellence ensures that every detail, from lighting to composition, contributes to a visually stunning and emotionally resonant portrayal of the couple’s wedding day.
Technology advances and changes so very quickly. Artificial intelligence, surveillance and privacy issues are pervasive negative news stories in the media. However, these technological advances also provide wonderful new ways for artists and creators to express themselves. Over the last few years, Georgio Sabino III has worked with adding a technological advancement to the static universe of two-dimensional visual art and fashion design. But these are not ordinary paintings and dresses. They are augmented reality (AR) painting and dresses that come to life when you point your smart phone at them.
The dragonflies, hummingbirds and butterflies fly around the dress and room in a realistic way, creating a magical effect that surprises and delights viewers. You can also interact with them by tapping on your screen or moving your phone closer or farther away. The proposed project will be an art and fashion show where the walls of the gallery space will be filled with art for attendees to view and engage. Once the fashion shows commences, models will wear the artist’s pieces and attendees can watch the show. Even without smart phone access, the show will be vivid and dynamic. Engaging with the augmented reality component of the show will only improve audience enjoyment and the “wow” factor. Fashion pieces will be made primarily of silk with the image screen printed onto the item of clothing.
The show will be scheduled for approximately three months after the project is fully funded. A gallery in the Cleveland area will be selected based on appropriateness and availability. The project will help allay fears about future technology by demonstrating how amazing these tools can be for making art and fashion design even more dynamic.
The Creative Impact Fund, which was established by the Assembly for the Arts, awarded a total of $6,250 to sixteen (16) artists, art collectives, and informal groups. The fund was designed to provide flexible funding and support for transformative arts projects aimed at redlined communities, developing areas with significant arts activity, and promoting increased walkability. The fund aimed to lay the groundwork for the City of Cleveland’s Rescue & Transformation Plan, which prioritized arts and neighborhood amenities.
Individual artists or art collectives of all expressions, including but not limited to painting, sculpture, photography, film/motion pictures, dance, ballet, theatre, music, comedy/improv, writing/literature, architecture, design, and fashion, were welcome to apply to the Creative Impact Fund. Along with funding, CIF offered professional development, marketing support, and connections to creative, business, and institutional networks. The Creative Impact Fund was funded by Cuyahoga Arts & Culture.
In a neighborhood that breathed creativity, three remarkable individuals, Robert Banks, Georgio Sabino III, and Dexter Davis, lived as neighbors, each bringing their own unique flair to the artistic tapestry of the arts community. The photograph, beautifully captured by the talented Emmanuel Wallace, embodies the history and talent that permeated the city.
Robert Banks: An American Experimental Filmmaker To the left of the frame, we find Robert Banks, a pioneering American experimental filmmaker, born in Cleveland, Ohio, For over three decades, Banks has been immersed in the world of filmmaking, delving into physical film formats like 16 mm and 35 mm. His remarkable career extends to teaching film at various institutions in Cleveland, including Cuyahoga Community College, the Cleveland Institute of Art, and Cleveland State University.
Banks’s films are not mere celluloid; they are a profound exploration of themes that range from race, culture, media, to art itself. His most renowned work, “X: The Baby Cinema,” a short film critiquing the commercial exploitation of Malcolm X’s image, made its mark at the first New York Underground Film Festival in 1993, winning the Best Experimental award. He’s also graced other prestigious film festivals such as Sundance and SXSW.
In 2019, after seven years of tireless production, Banks completed his first feature-length film, “Paper Shadows.” This cinematic masterpiece is a collage of his experiences and emotions as an artist living and working in Cleveland, securing the Audience Award at the Chicago Underground Film Festival in 2020.
Dexter Davis: A Contemporary Art Visionary On the right side of the frame stands Dexter Davis, a contemporary artist deeply rooted in Cleveland, Ohio. He graduated from the Cleveland Institute of Art and, interestingly, works as a security guard at the Cleveland Museum of Art, where one of his own artworks resides within the collection. Davis is best known for his collage-based paintings that reflect his personal experiences and address critical social issues, including violence, race, and poverty. His thought-provoking work has been displayed at various galleries and festivals, with a significant accolade. Davis’s unique and expressive style has garnered critical acclaim, solidifying his place as one of the most promising artists in the region.
Georgio Sabino III: A Multifaceted Creative At the center of this artistic triumvirate is GS3, a versatile artist who calls Cleveland his home but hails from Columbus, Ohio. Georgio’s creative palette spans across different media, encompassing painting, photography, and fashion design. His remarkable career has seen him honored with invitations to the White House, where he’s captured national champions like the Ohio State Buckeyes and the Cleveland Cavaliers (Anomaly Twice). His collaborations with prominent artists like Hector Vega, Bruce Conforti, Arnold Turner (Los Angles Premier Red-Carpet Photographer), and his authorship of a book about President Obama underline his prominence in the artistic community. Georgio’s work is a testament to his passion for civic engagement, education, and mentoring in the arts. His art is a vibrant exploration of his personal experiences and the pressing social issues of our time, employing dramatic lines, vivid colors, and powerful contrasts. Georgio has not only received awards but also showcased his work in various galleries and Paris Fashion Week 2023, earning him the reputation as one of the most promising artists in the region.
In the photograph by Emmanuel Wallace (Scene Magazine), we witness the coming together of these three incredible artists, their creativity a testament to the rich cultural history of the city. These neighbors have not only shared space but also shared inspiration, enriching the artistic legacy of their community with their diverse talents and a shared love for the arts.
In the bustling heart of New York City or Cleveland Ohio, Georgio Sabino had always been a trailblazer in the world of corporate wellness. With his unique blend of artistic talent and a deep understanding of the healing power of art, he had crafted a reputation that extended far beyond the concrete canyons of any city. He is a corporate wellness artist, a visionary who had taken the art of healing to new heights.
His journey into the world of artistry began in his early years when he discovered his passion for painting. He honed his skills at prestigious art schools, but his true calling emerged when he started experimenting with the fusion of painting, photography, and augmented reality (AR). This innovative approach allowed him to create immersive visual experiences that resonated deeply with people’s emotions and well-being.
As Georgio’s reputation grew, he set his sights on a new challenge: the corporate world. He believed that his unique blend of artistry and wellness could make a profound impact on the lives of the corporate population. His vision was to provide a visual experience that would not only enhance the well-being of employees but also serve as a powerful tool for healthcare and wellness initiatives.
One of his most significant breakthroughs was his ability to use art as a transformative tool during corporate retreats. He believed that when people engaged with art on a personal and emotional level, it could lead to profound insights and personal growth. So, he began collaborating with corporations to design retreats that incorporated his artistry.
At one such retreat for a prominent tech company, he unveiled a masterpiece that combined a large canvas painting with AR elements. The painting depicted a serene forest scene, with vibrant, lifelike animals and plants seemingly coming to life through the AR app. As employees explored the augmented reality, they experienced a deep sense of connection with nature, reducing stress levels and fostering a sense of inner peace. The retreat’s participants left feeling rejuvenated and inspired, ready to tackle their work with renewed vigor.
But his talents didn’t stop at corporate retreats. He also recognized the potential of his artistry in healthcare settings. Hospitals were often sterile and cold places, and patients could feel isolated and anxious during their stays. He saw an opportunity to transform these environments into spaces of healing and comfort.
He partnered with a leading healthcare institution to create a series of healing art installations in their facilities. These installations incorporated his signature blend of painting, photography, and AR to provide patients with immersive experiences that transported them to tranquil natural settings. As patients gazed at these interactive artworks, they found solace and distraction from their pain and anxiety, often reporting shorter recovery times and improved overall well-being.
Georgio Sabino’s artistry had become a beacon of hope and healing in both the corporate and healthcare worlds. Hospitals were choosing his creations because they understood the profound impact they had on patients’ mental and emotional states. His unique approach to corporate wellness was being embraced by businesses seeking to foster creativity, reduce stress, and enhance the overall well-being of their employees.
In a world where the line between work and personal life was becoming increasingly blurred, Georgio Sabino had found a way to bridge that gap. His artistry was not just about creating beautiful visuals; it was about elevating the human spirit, whether in the corporate boardroom or the hospital room. His vision had become a reality, and the world was a brighter, more healing place because of it.
In 2020, the tragic killing of George Floyd by police officers led to a tumultuous period in the Minneapolis community where it happened. Lamar Peterson, a local artist specializing in contemporary art, lived close to the epicenter of the unrest. The atmosphere was thick with smoke and tension, making it feel like an apocalyptic scene. Amidst the chaos of protests and looting, Peterson faced another personal challenge: the pandemic-induced lockdown cut off his access to his studio at the University of Minnesota, where he also teaches. For Peterson, who primarily works with oil paints, this was a significant setback. Art serves as his emotional outlet, and being unable to create was a heavy burden.
Fast forward to today, and Peterson has successfully concluded a recent exhibition at Fredericks & Freiser art gallery in New York’s Chelsea neighborhood. The art pieces showcased are a stark contrast to the grim period he experienced in 2020. They feature vibrant landscapes and Black figures, drawing inspiration from the cartoons of the ’70s and ’80s that shaped his childhood. The art serves as a tribute to the transient beauty of life, influenced by his passion for gardening and the recent passing of his father. The exhibition, named “Proud Gardener,” was a commercial success, with artwork prices ranging from $15,000 to $60,000.
Peterson’s journey reflects a broader shift in the art world. Following the events surrounding George Floyd’s death, there has been a noticeable increase in institutional support for Black artists. While the market for Black American artists has grown significantly since 2008, it still represents a small fraction of global auction sales. However, the interest in African American artists is genuine and growing, according to industry experts. This change is part of a larger effort to correct historical oversights and to diversify the artists represented in museums and galleries.
This brings us to the significance of the 2023 “Outlined In Black Art Exhibition,” presented by the Akron Black Artist Guild in partnership with The University of Akron. The exhibition, on display at the Bierce Library from October 14th to November 18th, is a monumental step in the right direction. It serves as a platform for Black artists to showcase their work, thereby contributing to the broader narrative of contemporary art. The exhibition not only offers these artists a chance to gain visibility but also provides the community an opportunity to engage with diverse artistic perspectives.
The Akron Black Artist Guild’s initiative is particularly timely, given the increased attention and support for Black artists. It’s not just about representation; it’s about creating a lineage and legacy. Artists like Kehinde Wiley and Hank Willis Thomas have gained prominence, influencing a new generation of artists. For instance, Xavier Daniels’ recent show “Cry Like a Man” features portraits of Black men in vivid colors, aiming to convey complex emotions and experiences, including the mental health struggles that many Black men face.
The “Outlined In Black Art Exhibition” is more than just a showcase; it’s a statement. It’s a testament to the resilience, creativity, and diversity of Black artists. It serves as a reminder that art can be a powerful tool for social change, for healing, and for celebrating the richness of human experience. In a world that is slowly but surely recognizing the value of diverse voices, this exhibition stands as a beacon for what is possible when those voices are not just heard but celebrated.
My heart is heavy with grief over Tim Shuckerow passing last night but it is time to celebrate his legacy. He was not only a director of CWRU for us graduate students but also a cherished friend and mentor. His friendship meant the world to me, and his guidance and support throughout our academic journey were IMMEASURABLE. He even allowed me to leave class to cover President Obama’s journey to the White House, and another time he let me out of the classroom is when 4 out of 5 major celebrities hired me to take their photos around the nation. His unwavering commitment, support, and encouragement played a significant role in my life. His wisdom as a teacher and artist was matched only by his kindness and willingness to help and uplift others. I will forever treasure the memories of our shared laughter, our discussions that spanned from the classroom to our worldly travels, and the moments we talked about our families. Yes, from time to time would often mention his children Francis, Cecilia and Jake, we love your Dad. I know in his heart just as his students he wanted the best from all of us. Your Dad brought immense inspiration into my life, and his legacy as a great friend and mentor will continue to live on in my heart. I will always be grateful for the profound impact he had on my life. Rest in peace, dear Tim.
As a graduate of CWRU masters program, I am constantly amazed and troubled by the lingering effects of historical injustices that continue to shape our society today. One such injustice is the denial of the promised 40 acres and a mule to African-Americans after the abolition of slavery. Furthermore, the lack of compensated reparations, which have been granted to other ethnic groups, adds to the urgency of addressing this issue.
It is disheartening to witness the lack of empathy and awareness among some individuals who fail to understand the importance of correcting history for the sake of building a just and fair world. Embracing the truth about our past is crucial for creating a society that values equality and is committed to rectifying the wrongs of the past.
I implore everyone to take on this issue as if the debt was already paid. The 400 to 500-year headstart that some have enjoyed due to the historical advantage they gained from slavery should only emphasize the necessity of addressing this issue urgently and decisively.
As I interact with individuals in various places, I am reminded of the deeply ingrained racial biases that continue to persist in our society. Even if some individuals claim not to be racist themselves, they must recognize that their family’s history may hold uncomfortable truths. Denying these truths and failing to acknowledge the debt we owe to the descendants of slaves only perpetuates the cycle of injustice.
Reparations are not about casting blame on individuals today, but about acknowledging the collective responsibility we have as a society to right the wrongs of the past. While it may be uncomfortable to confront these historical truths, we cannot evade the responsibility that lies before us.
The year 2023 may come with its challenges, but it also presents an opportunity for us to take collective action. We must face our past with sincerity and courage to pave the way for a more inclusive future. The world is becoming increasingly diverse, and it is our duty to ensure that we create a society that truly values and celebrates this diversity.
One may wonder about the benefits of reparations. Reparations, in essence, represent a stimulus package for African-Americans that can address the longstanding economic disparities they face. By investing in the economic well-being of the African-American community, we can expect a surge in economic growth and empowerment. As they acquire more financial stability, African-Americans will be able to purchase homes, cars, and invest in businesses, thus stimulating the economy further.
Critics might argue that reparations could create division or dependency, but it is vital to recognize that this is not about fostering division; rather, it is an opportunity for reconciliation and healing. By acknowledging our history and working towards reparative justice, we can pave the way for a more equitable society that benefits everyone.
So addressing the legacy of slavery through reparations is not an easy task, but it is a necessary one. As we move forward, let us do so with courage, empathy, and an unwavering commitment to building a fair and balanced world for all, where the benefits of reparations are not only economic but also serve to mend the wounds of the past and create a more united and just society.
The transatlantic slave trade stands as one of the darkest chapters in human history, leaving a profound impact on African societies and shaping the trajectory of the New World. Often overlooked in discussions of this abhorrent practice is the role played by African kings and chiefs in facilitating the trade. This paper aims to shed light on the complex dynamics of the transatlantic slave trade, examining the motivations and actions of African leaders as well as Europe’s culpability in perpetuating this inhumane system. Moreover, it argues that both continents, Africa and Europe, bear a moral obligation to address the legacy of this trade through reparations and acknowledgment of the debt they owe to the captured individuals and their descendants.
The Role of African Chiefs in the Transatlantic Slave Trade:
African chiefs played a pivotal role in the transatlantic slave trade by participating in the process of capturing, selling, and supplying fellow Africans to European slavers. Their involvement was driven by various factors, including economic interests, political ambitions, and the allure of acquiring firearms and other goods offered by European traders. The promise of military advantage over rival tribes enticed some chiefs to engage in this deplorable trade. As a result, they not only increased their wealth but also their influence and territorial control.
European Influence and Disregard for Human Dignity:
Europeans, seeking to exploit Africa’s resources and labor, found willing partners in some African leaders who were willing to collaborate in the slave trade. The European powers disregarded the humanity of those they enslaved, treating them as mere commodities to be bought and sold. This profound disrespect for the human race allowed the transatlantic slave trade to persist for centuries, causing immeasurable suffering to millions of Africans forcibly taken from their homes and families.
Reparations and Obligations:
The transatlantic slave trade not only caused immense suffering during its operation but also had far-reaching consequences that persist to this day. The descendants of those who were enslaved continue to endure the legacy of this brutal history, facing systemic disadvantages and discrimination in both Africa and the Americas.
Both Africa and Europe bear a responsibility for the lasting impact of the slave trade. African leaders, who participated in the trade for short-term gains, must acknowledge their role and the intergenerational trauma it has caused. European nations, as beneficiaries of centuries of free labor and exploitation, also owe a debt to the descendants of those who suffered under the cruel system of slavery.
Reparation efforts should focus on providing opportunities for economic and social empowerment to affected communities on both continents. This could take the form of investments in education, infrastructure, and healthcare to address the systemic disparities that persist due to historical injustices.
The African transatlantic slave trade was a horrific chapter in human history, and its impact is still felt today. African chiefs played a role in maintaining the supply of captives, driven by various factors, including the lure of wealth and power offered by European traders. However, it is crucial to recognize that the ultimate responsibility for this inhumane practice lies with those who perpetuated it – the European powers who disregarded the dignity and humanity of their fellow human beings.
Both Africa and Europe share a moral obligation to address the enduring legacy of the transatlantic slave trade. Reparation efforts, grounded in acknowledgment, land restitution, and economic empowerment, can help to address the historical injustices and pave the way towards a more just and equitable future for all affected communities. Only through a comprehensive acknowledgment of the past can we hope to heal the wounds inflicted by this reprehensible trade and move towards a more compassionate and inclusive world.
