As Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.
As Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.
WEDDING PHOTOGRAPHER SPEAK UP and Give You The Real Deal… Article by: Amanda Duffy Being a photographer can be one of the most rewarding jobs. It is the artisans in each of us to know when to feel… YES this is the moment!! And snap the shutter. However one man or woman with a camera can never be in 2 places at once. Photography is all about the moment, The details and the preservation of time. As we always prefer to photograph weddings with 2 “shooters. In our case, We do not charge for two professionals to be at your event. We honestly just always prefer to work this way at a wedding or large event. Sometimes brides want to save a little money or feel that it is too obtrusive for more than one photographer to be present on the wedding day.
But consider this: The second photographer offers another unique point of view throughout the entire day that you would not have had photographed if there would have only been one. When the magical wedding day comes. Our team will photograph the moments of preparation from hair, nails, rings, flowers, bow ties and cufflinks. We capture the beauty of your day as you say your sacred vows and exchange your rings to each other. It is always rewarding to hear a bride say… I look so beautiful in that photo. Because after all that is just what a bride is on her wedding day. We capture photos in formal settings between the ceremony and reception. We capture candids in a photojournalistic style through the duration of the day. Too many times, brides fall for something trendy in photography. It is critical that these images stand the test of time and are valued for each following generation to come. Trends are fun but rarely last! As it is very important not to “date” the images with styles or backgrounds. We are artist but wedding journalists. We are unique and we are here to preserve your moment. We photograph with a classic shooting style, and we do not manipulate and over edit photos in photoshop. However editing is important. It is simply not over done. You should expect to spend between $2,000 and $8,000 for any decent wedding photography. And superb wedding photography is just what we deliver. We offer engagement sessions. Often times it does not have to be accomplished at the very moment of your engagement. However it is nice to add a photo of the lovely couple to a wedding announcement / invitation. As you may even want Thank you cards after the wedding with your wedding portrait printed on the card. Engagement sessions increase the confidence and comfort level of the bride and groom in front of the camera and allow the bride and groom to practice having their photo taken in a fun, no-stakes atmosphere. We are fun! And we make sure we capture you in a classic way.
Ultimately, an engagement session will let the bride and groom see why the photographer might tell them to do something funny, such as “whisper in her ear and make her laugh” or kiss her on her cheek. ——?? Naturally this will lead to wedding day comfort and trust in the photographer. As we always wish to capture the real people on the other side of the camera lens. Traditional wedding photography has become something anyone can imagine in the mind at any time. Those photos usually illustrated a group of people standing up, close together. Wedding photography is not all about getting all the people who participated at the wedding in one photo. Wedding photography is about capturing emotions, feelings, and joyful moments in photos, but this can be done only if the photographer is a person who relates well with people and can capture their essence easily. For example capturing the emotions of a father who sees his daughter leaving home at another man’s arm is quite something to remember. Wedding photography should not use only colors; it should also be done in black and white. A black and white photo will stimulate the imagination of those who look at it; it will be like a remembering of old times when people has a more simple life and more time for dreaming. For obtaining a good black and white wedding photography the photographer has to possess certain skills with lighting and shadows in order to make the photo outstanding, just as color does. Colored wedding photography is needed too. This type of photo will illustrate later the beautiful array of style of the wedding party. It will bring sweet memories on how the wedding party felt. How to book your wedding: Book as far in advance as you can. Nothing is more frustrating than choosing a wedding photographer and then finding out that they booked out your date a week prior. This is especially important when there is travel required. We always require a small deposit to save the date. Let the photographer know before the wedding if there are certain photos you don’t like. It can be anything such as ‘I don’t like the photos you took of us not smiling’ or ‘I don’t like wide-angle close-ups; they make us look weird and fat.’ It totally throws off a photographer’s creative approach when a bride spills her feelings while we are in the zone. Communicating is a key element when we only have a short time to capture a fast moving event such as a wedding. It is always best for us to also understand family. Your family may have guests that do not wish to be photographed together and or divorced and so on. It is very important that we know this at the time of booking and planning so we can save hard feelings. The stress of finding all the prints, books and wall portraits does not need to be at the top of your list. As a couple finding the right photographer and getting the show on the road is honestly the first step. Until you see your images it is often difficult to decide what it is that you will want to order.
We admire fellow photographers, clients and all who support the ART world. GS3 is a team that consist of reputable professionals in the arts of photography, media, fashion and design. Please feel free to ask questions about our services that we offer. We are here for you in every way! Thank you – The GS3 Team Amanda, Georgio & Christopher
#AmandaDuffyPhotography, AmandaPhotoDuffy, #AmandaPhotoDuffy,
Article by: Will Napoli Sugar Water Gives Strength to the Wise
September 6, 2005
In March of this year, Georgio Sabino III had an opportunity to meet and photograph Jill Scott while she appeared at the State Theatre. A year earlier he had shot Erykah Badu at her show in the same venue. Scott was so taken by the energetic, smiling Sabino who has photographed hundreds of celebrities from all fields of note that she invited him to photograph the Sugar Water Festival where she would be performing alongside Queen Latifah and Erykah Badu. Sabino knows a good gig when it surfaces so he agreed to take the metropolis-hopping, night-shooting, beaty, big, beautiful job.
Traveling with the band on the 20-city tour, Sabino was treated to the best amenities and an inside look at this powerful enterprise concocted by Latifah but owned in equal parts by the triumphant triumvirate. These award-winning songstresses are icons in the industry and ever-rising markers in the progress of creative, entrepreneurial African American women. Sugar Water attendee Jeffri Epps in Atlanta pointed out, “You’re getting to see three women each of whom could easily have carried the show on her own.” Sabino found them compelling and unbelievably in touch from the very start.
In Columbia, Maryland, Latifah’s people were in the crowd and it made for a special evening under the stars. In fact, all the shows were at outdoors arenas as much to celebrate the summer as provide the widest possible audience. Their alternatively tough and tender tones were sent out into the world and up to the heavens. Meanwhile, Sabino was busy capturing the moments in photos that he would send off to the tour’s promotions department. As powerful and in charge as Latifah and her two partners are with ownership of the tour, they are equally astute in delegating duties to allow them to relax and enjoy the experience. It’s work, but it’s joyous work.
The first to arrive on site and the last to leave, Sabino is in charge of getting the shots: the ladies stepping off their personal tour buses, the roadies setting up the stage, backstage, on stage, the crowd, the sets, the finale, the wrap up, heading out to the next gig. In Atlanta, festival attendee Robert Arrington, Jr. had a chance to see Sabino at work and was impressed by his equal attention to getting great shots of the audience as well as the performers. On his days off, Sabino rests, thankful that the celebratory bliss these women exude is such that his work is also joyous work. From 7 to 11 PM on the nights of the shows, thousands get to experience the feeling coursing through Sabino like an electric meal.
Floetry was probably about the best pick for an opening act as could be made. Their contrasting styles of lyrical soul and percussive spoken word exemplify the unison of separate models of womanly empowerment in a moment of art that spans traditions and emotions. They encompass Mother Earth and make her sound like a little girl leading the choir or leading a band of street soldiers. Its no wonder they get standing ovations even before the headliners hit the stage.
Queen Latifah gave two performances in one all on her own as she changed up her jazz and soul selections from “The Dana Owens Album” and went back to where it started for her professionally with Hip Hop blazing through numerous selections in her allotted time. That would prove to be a major theme throughout the shows: elegant, powerful ladies with range. These divas turn barriers into bookmarks as they each sing from a fat book of songs. Latifah strode off stage through the crowd with her finale, “U.N.I.T.Y.” and slapped hands to stress the point.
Jill Scott took her time with her songs. She stretched half as many songs as Latifah sang into elegant studies of the human voice. By the time she got to “Whatever” she was enticing the audience with her sultry seductions enough to put them in a frenzy. Then she finished strong, belting out “He Loves Me.”
Erykah Badu delivered her rare blends in the final set starting light and heading into “Danger” where she trailed away from the accompaniment on an a capella excursion that made the case for her status as a modern diva. Then she returned to playfulness in her finish with “Tyrone.”
As couples in the audience took in breaths to remind themselves of where their individual bodies were in relation to the new unity of themselves and the world reborn in the night’s raptus, the three stars joined on stage to sing “Never Too Much” in remembrance of Luther Vandross and reminder that it’s true. There’s never too much love, whether it’s the love of singing to the next town or the love of providing community service when the proceeds get put to use.
Sabino is back in town, having just covered the Don King Showtime fight card at the Gund arena. He’s also busy with Models-at-1900.com looking for the right young woman to sponsor in spring boarding a new career. There’s never too much work, but he’s going to take a break soon. Not because he’s worn out, but because he has to focus on how best he can help his family in Pascagoula, Mississippi, as they try to rebuild their lives after hurricane Katrina. “Sabino” means wise and his family comes from Pascagoula, but it may be no coincidence that Georgio Sabino III has recently been energized by three fertile souls and become awash in deep thoughts in the songs of his generation.
Cav’s Corner: Interview with artist and photographer Georgio Sabino III
Cavana Faithwalker talks with fast moving and emerging artist Georgio Sabino, who recently was featured in X-Africa: The African American Experience exhibit of works at the Cleveland State University Art Gallery. He’s also a fashion photographer living and creating in the artist live/work space in the experimental Tower Press Building, where rent subsidies are available to artists who pass a juried review process.
I caught up with Georgio who is a ground floor tenant. His studio is small but exceedingly spacious, with a room divider that separates his sleeping quarters from the rest of the studio. Inside, paintings and fashion design illustrations covered every inch of wall space, and this creative disarray gave the studio an exotic quality found in movies like Casablaca or Girl with the Pearl Earring. Behind the Japanese screen-like dividers, the bedroom area was absolutely hit; apparent clothing designs in various modes of completion cast among sheets and bolts of material, drawings and sketches formed an intertwining pyramid. Light flooded in from the outside, toasting the air in my mind’s version of this reality as I sat at a small table.
Cavana Faithwalker: How long have you been here and how did ya get in?
Georgio Sabino: Since June 2003 all the artists got juried to be here and “they” got a grant for this to happen; it’s all artists which is a wonderful thing: painting, sculpture, fashion design, filmmaking and other arts.
From what I understand it’s subsidized but still very costly, since rents run from $625 for 600 square feet to $2200 for about 1,950 square feet
It’s expensive but it’s downtown, exposed brick, T-1 enabled, high ceilings, lots of light. You have that lifestyle you wished for, so it’s not bad.
How often do you interact with other artists?
I interact with everyone in the building. As I told you earlier I am publishing a book about the artists here, which allows me to have a reason to interact. I am attempting to do an ArtNews or Art In America upscale type magazine for this building in addition to the quadrangle. Eventually I’d like to cover all of Ohio.
Who says regionalism is dead?!
And I want my efforts to be put into a hardbound book.
What will the content be?
The artwork of course, and the subsequent conversations that go on.
The personal success stories and failures?
Well yes, as they pertain to things of interest to working artists, collectors and art lovers. So if a story has a strong human interest slant, that slant should contain how the success or lack thereof pertains to movements in art; you know, being behind or ahead of the curve.
Are you doing this as a promotional tool?
It’s promotional, but…everything that was supposed to happen in the building didn’t happen. So I’m watching other artists like Hector Vega, Kathy Skerritt and Bruce Conforti; these guys are really making it, and really doing it and living their dreams. It is beautiful to see, and I want to do that and expose that to others. So, I said let’s put it all in a book. The elder artists along with the emerging guys. We were supposed to have a group gallery space in the building and a place to do lectures, and that didn’t happen; this is one of the elements to replace that. Even if people don’t buy artwork and they walk out with the book, well they know Robert Banks is a nationally known if not internationally known filmmaker alive and well and living in Cleveland. This book is meant to acknowledge these artists, and as you suggested, to promote their work and to share their talents with the Greater Cleveland community and the collecting public.
How are you paying for this?
I’ll speak on it when everything is in stone.
Are there other collaboratives going on in the building?
There’s some between Robert Banks and myself and and Bruce Conforti. Hector and Kathy [Skerritt] are going to work with me also, so it’s happening.
Any competition going on in the building..over clients or resources?
I don’t look at it like that. There is a guy here who just sold $10,000 of work; and I feel bad that they didn’t buy from me, but I’m so happy that those people are shopping and that they’re in my neighborhood purchasing art. One of the things I can do is give them some information about me, show them my studio, and ask who they think would possibly buy from me.
Let’s get back to what is not happening.
A co-op involving the people who were brought in here to be jurors, plus common gallery space and lecture rooms…I thought, “How can we make this work?” We need a grant writer, The Plain Dealer, and the District to try to get a co-op art gallery open here; I don’t understand why that is not happening. I can see some of the issues make sense with the developers trying to get the exact type of space that they want. However, we have a space none of us can use and that was part of the allure that inspired us to move in, and/or bring the community in: Yo Cleveland, Cleveland School of the Arts, Virginia Fashion. I was looking forward to having that space part of the time to work with these groups and others as well.
What percent of the artists in here are civic minded? When I had a studio at the Hodge there was just a handful artists putting their resources into the community, Kahlil Pedizisai, Lovelace, a couple of musicians, etc.
I bet it’s about 25%
Wow! I think that’s pretty good
There are many who aren’t necessarily reaching out to ‘the community.’ However, even they are aware and also want to help the ‘arts community.’ You know that community of aspiring artists, and want to expand and educate the community of art lovers, too.
Are you trying to create an incubator? An artists incubator?
I think that’s appropriate, but there is a better word that is not coming to me at the moment.
Maybe to put that out there is overstating the obvious. You are trying to just have the ideal environment for healthy, thriving arts.
Maybe. A while ago the Ohio Arts Council brought in an artist from Chile. He was here for 6 weeks and had a show at SPACES. So to go back to what you said…it’s appropriate but I think it was more along the line of communication and synergy than “let’s structure an incubator.” Sorry, the right concept isn’t coming to me right now. I look at Hector Vega. He does at least three things I think are important: he shares information, he coaches, he purchases other people’s art.
Have your thoughts turned toward how to work with the business community, how to work with the Small Business Association and to obtain a model of how they make money.
The Mayor’s office is really accessible, and people like Joe Cimperman are available all the time. I go to COSE and I go to the Foundation Center. At COSE the conversation has been entrepreneurship in the arts. Stuff like how to write a business plan, what is the environment like, what would be your niche market. I had an MBA workin’ for me to make sure we got positioned correctly for monies that were available at one time; trying to find grants, trying to write grants and looking for fellowships.
How do you see the arts scene here is Cleveland?
Well, what we are trying to develop is a collecting public that will support the arts. My thought is, “Quit buying Monets unless you’re buying the original.” Why spend X amount of dollars on art work that is highly inflated? I mean, a lot of times you get a decent frame but you could own some really sensational local art by living artists. And not just Cleveland; in my opinion, we have regional and national artists as good as any you care to mention.
You have any idea how much of that is going on?
In my painting world we have sales…my photography world I live by…my fashion world I need to go to New York. So I have my clients. It’s small scale and I’d love to make it huge. We’ve gotta make Cleveland, Ohio and anything around like you have in L.A.’s collecting public.
I was at someone’s house a few months ago and it was really great to roam around their house; there was original art everywhere. I saw a Chuck Close original and a pretty famous national photographer, whose name escapes me right now, and in between these international artists were original pieces by local artists and they held up well. I guess I never thought about Cleveland being a collecting town because I rarely see it. But there must be a lot out there. I mean, beside Progressive and it doesn’t look like there will be anymore collecting there anytime soon. And University Hospital…they’re kinda workin’ on it and Kaiser has been working on building a collection of mostly local art.
Yeah you have a few that are here but I was thinking more in the direction of the new gallery hop ya know, that type of thing.
Why aren’t they more successful?
I can’t tell you why people aren’t collecting…
Well I’ve started to turn this light on myself. In my house I have local art into the double digits. But most of it was given to me by artists for helping them with their careers. So I was helping with my essence, but not making major purchases. I think I could skip certain things for a few months…skip coffee for a week and have enough cash to purchase something. Also, if I was admiring some expensive stuff and the artists said 3 words “EASY PAYMENT PLAN” I would have more purchases. No one has ever said that to me, but I’m sure it would work. They’d have to add a nonrefundable deposit, huh?
That’s interesting, and that’s marketing.
Deidre Vodenoff: If artists would talk more about their art when people came into their galleries, at point of sale, and at libraries and so forth, it communicates to the public the art’s value. If the art buying public were educated about the value of the art, then it wouldn’t seem so unaffordable.
‘Debbie McCamm of Cultural Exchange has a reading program called, Read Baby Read” and at the culmination of each book project, the youth do an art project. I thought it would be so cool if they could also get a piece of artwork, maybe a print or even a small piece of original artwork. It wood be in a frame, it would be wrapped and it would send a message that this is something special, something to be valued.
The message to me would say you’re creating a collecting public, and getting them understanding art.. that’s beautiful! That would be great and people could have a chance to be a part of a collecting public.
You know, every time the Indians and the Browns play we get huge crowds, I think we should tap into that as artists, and have some huge after-party presented by the arts community at those events directing the public to go to art selling venues and look at art. I know it’s a beer drinking crowd, but still, people are also buyers and I think beer drinking and appreciating art are not mutually exclusive. You may not get the [stereotypic] beer drinking, couch potato guy, but you get the guy with bucks who not only has season tickets, but also goes to Severance once a week or Cleveland Public Theatre.
Five years down the road, where would you in the context of this [Tower Press breeding ground] like to be?
I’d like to have my own small retail gallery here in the building, or be a curator. Also I want to work on expanding my level of expertise to further tap into my creativity and be compensated more for what I do.
And for the artists in this environment?
I’d love to have all these artists interact more. In general, a lot of people don’t do anything until they see it catch on. Sometimes artists see what I’m doing, and they see me as competition. I hope this will dissipate, but I don’t know. This whole thing is still in the working, and the the co-op is still evolving. In five years, I want to be in a world where we all collectively work together, and make this a city where visitors come and say, “we wanna see you.”
That would effectively end competition and territorialism.
That would be beautiful; it’s an attitude all artists should have.
During the interview, Hector Vega dropped in and I could see an instant camaraderie between the two, with mutual respect and admiration between monk and grasshopper. Hector told me later that looking at Georgio was like looking at himself when he was younger. I say incubator.
Interview by Cool Cleveland contributor Cavana Faithwalker
Photo by Georgio Sabino (:divend:)
(PRWEB) October 7, 2004 – updated
Georgio Sabino III is pleased to announce the launch of his new photography and design firm featuring high fashion photography, family portraiture and multi-media art designs. Located in Suite 106 at 1900 Superior Avenue, GS3 custom tailors fashion and his art for personal, private and corporate ventures. He also has offices in Atlanta, New York City, Los Angeles and Las Vegas.
“You will be impressed, exalted and mesmerized by the way my team captures what you desire and the celestial moment that is achieved through art,” states Sabino.
Among his recent efforts is a book that features the artists of the Tower Press building where he lives and works. “The Artists at 1900″ will be published as a hard cover edition with a CD recording of interviews and insights of the resident artists. A soft cover edition will be a catalogue of the artists and their contact information.
Also under way are Sabino’s efforts to contract the provision of art in the Carl B. Stokes Federal Courthouse in downtown Cleveland. He would like to feature his photography of the lakefront views of the city, as well as the works of The Artists at 1900 throughout the building. In the spring he will be conducting three shows around the country and overseas.
In sharing his love of the arts, Sabino has taught courses at the Cleveland School of the Arts, the Virginia Marti College of Fashion Design and Ursuline College. He also conducts private instruction in the visual arts, consultation in fashion and photography, and is available for guest lectures.
His work has been in the Puck building in Soho, New York, as well as in Secaucus, New Jersey as one of the designers in the 1999 fashion show by New Day Associates. His work has been seen throughout Greater Cleveland in venues such as Sankofa Fine Arts Show June 2004, Artefino ÂDogÂ Show and coming up the City Artists at Work gallery hop, (http://www.cityartistsatwork.com).
Most notable among his accomplishments were his exhibits at NASA Glenn Research Center through the SEMAA office (Science Engineering Mathematics Aerospace Academy) and the Cleveland Fine Arts Expo in May 2003 at Cuyahoga Community College (Tri-C).
His photography has appeared in Smithsonian Associate, Essence and motivational speaker George Fraser’s Success Guide magazines as well as George Fraser’s book Success Runs in Our Race. Locally, he was published in City News, the Sun Press, Urban Dialect magazine, CoolCleveland.com and http://www.augustofineart.com/afa-studio.html
Sabino’s gallery includes fashion paintings, abstract art, hand-painted silks and haute couture photography. “Are you ready?” is Sabino’s team slogan, always at the cutting edge of new frontiers to be discovered.
The Greek orator and politician Demosthenes once said “A small opportunities are often the beginning of great enterprises,” More than 500 years later, who would have thought that artist Georgio Sabino III would be fulfilling these very words.
GS3 can be reached at (216) 256-7018. Or you can visit the following web
Georgio Sabino III Makes Valid Statements with Creative Endeavors
Georgio Sabino III, owner of a multi-media design firm called GS3 Design Studio, is a busy artist. And that’s the best kind to be. When he’s not working on his latest paintings, he’s taking professional photographs, or teaching art at the MC2 Stem High School at the Great Lakes Science Center in Cleveland.
In 2009, after completing a double master’s degree at Case Western Reserve University and the Cleveland Institute of Art, he finalized his graduate thesis, creating an oil painting he calls “Educational Genocide.” It represented a strong statement he wanted to make about today’s civilization.
“Many of my paintings deal with our societal views on education,” Sabino says. “Like the demi-gods around the world that play a part of that system.”
At the Great Lakes Science Center, Sabino shares his passion for artist expression by teaching a combination of arts, aesthetics and technology.
“The school is a project-base environment that brings real-life challenges to some of the brightest pupils in Cleveland Municipal School District,” he notes. “It’s a fun, creative position using MIT equipment, NASA resources and providing some traditional arts. We use a lot of technology and a hands-on approach to teach our students on a mastery base structure. We invite all students to share this experience.”
Somehow, Sabino manages to fit in time for his other love, photography, which has gifted him with many opportunities. “I’ve participated in the Sugar Water Festival—taking photographs of Jill Scott, Queen Latifah and Erykah Badu and others. I’ve gone to the last two presidential inaugurations. I was the arts judge for Congresswoman Stephanie Tubbs-Jones. . . . I’ve enjoyed being a part of it all; from corporate events to nature adventures with John Isaacc, the award-Winning National Geographic Photographer.”
Sabino is currently working on 12 more oil paintings. “These all deal with the inner-self of a society and the causes that are apparent in many different media.” His next theme is called “Generational Rape,” which he plans to have completed by 2014.
“The concept for that came from a group of artists,” he says. “My friend, Andre Cato, is a filmmaker who is creating a movie based on that theme.” Others involved in the project include Anna Arnold, Danny Carver, Chester Hopkins-Bey, Richard Durrah, Jeff Ivey, Robert Banks, Kola Robinson, Jerome White, Rachel Truitt and Bruce Conforti.
The artists will host an art show called “SPARKS in the City” on September 11th at the Tower Press Building, where many of the artists reside. The display will be from 11 a.m. to 7 p.m. on the first floor’s Artefino Art Gallery.
What’s next for this busy artist? “What I’d really like to have is a European-to-African experience to show my work abroad,” he says.
Yet it appears he’s not worried about it if that doesn’t happen. “I have zero stress being an artist,” he says. “I absolutely love what I do.”
See Georgio Sabino’s work at:
Artists Find Downtown Cleveland a Lofty Experience
Deanna R. Adams
When artist/photographer/filmmaker Georgio Sabino III first came to Cleveland, the Columbus native was quickly impressed with what he saw.
“I was immediately attracted to the architecture here,” says Sabino, 37, who moved to Cleveland in 2003. “To me, Cleveland has more architecture than any other place in Ohio. It’s truly a beautiful city.”
Although he lived in New York City for a time, after receiving his Bachelor of Arts in fashion design from Kent State University in 1999, Sabino was anxious to set down his roots, and new business, in Cleveland. “I have fond memories of hanging out downtown, like at Tower City back in the ’90s. There’s such a great arts community here.”
When Sabino began seeking a place to live and set up shop for his GS3 Design Studio, a multi-media design firm, he found that the historic Tower Press Building, one of several renovated buildings near Cleveland State University, had just been completed and ready for occupancy.
His timing couldn’t have been better.
What used to be a mile-long strip of long-abandoned, rundown, century-old structures on Superior Avenue, is fast becoming the go-to area for all things arts-related, thanks to the downtown area’s revitalization, which includes The Lit’s (Cleveland’s Literary Center) recent move into the nearby ArtCraft building. Tower Press, located between E. 19th and E. 21st Streets, with its 80 uniquely designed loft units amid high ceilings, large mullioned windows, and exposed brick, harks of old world atmosphere and culture. Thus, a perfect place for artists such as Sabino. While one doesn’t have to be an artist to reside at Tower Press, owner David Perkowski has designated the first floor for artists only. Those interested must go through a definitive assessment process, with resume and portfolio, in order to be accepted into the residence.
Sabino, one of its first tenants, is thrilled to be a part of it.
“This place is perfect for me and other artists,” he says. “There’s a very eclectic art group here, and we are all supportive of one another.”
Current residents include painters, photographers, filmmakers, fashion designers, sculptors, stone carvers, visual artists, jewelry makers, and even a millinery designer. The first floor’s Artefino Art Gallery, with adjacent state-of-the-art café boasting 14-ft. high ceilings, provides residents an attractive, open public forum in which to showcase their works. The revamped complex, within walking distance to restaurants, offices and CSU, also has a conference/meeting room and professional fitness center. The 130-ft. tall tower, the building’s most recognizable feature, has five floors with modern suites.
Living and working among creative colleagues helps the proverbial “struggling artist” gain exposure, as well as providing networking opportunities and needed information, Sabino says. “I don’t like seeing other artists starve, and in this environment, you are always learning from each other on where to go, who to talk to, what city has a gallery open to what particular art. We all share that kind of information with each other.”
While working towards his Masters of Arts Education at Case Western Reserve University, Sabino is currently engaged in a video project with award-winning filmmaker, Robert Banks, who also lives in the building. And while Sabino plans to work this summer on various other projects in New York, Los Angeles, and Atlanta, he laughs off a suggestion that perhaps he’ll move on to one of those seemingly more popular cities.
“Are you kidding? Anyone in New York City would love to have a studio apartment like this, and live in a building with all these creative people. All this,” he gestures around his surroundings, “at this kind of rent?
“This doesn’t exist there.”