Category Archives: Georgio Sabino III

Creative Impact Fund Project: Artistic Jungle Series: Georgio Sabino III

Technology advances and changes so very quickly. Artificial intelligence, surveillance and privacy issues are pervasive negative news stories in the media. However, these technological advances also provide wonderful new ways for artists and creators to express themselves. Over the last few years, Georgio Sabino III has worked with adding a technological advancement to the static universe of two-dimensional visual art and fashion design. But these are not ordinary paintings and dresses. They are augmented reality (AR) painting and dresses that come to life when you point your smart phone at them.

The dragonflies, hummingbirds and butterflies fly around the dress and room in a realistic way, creating a magical effect that surprises and delights viewers. You can also interact with them by tapping on your screen or moving your phone closer or farther away. The proposed project will be an art and fashion show where the walls of the gallery space will be filled with art for attendees to view and engage. Once the fashion shows commences, models will wear the artist’s pieces and attendees can watch the show. Even without smart phone access, the show will be vivid and dynamic. Engaging with the augmented reality component of the show will only improve audience enjoyment and the “wow” factor. Fashion pieces will be made primarily of silk with the image screen printed onto the item of clothing.

The show will be scheduled for approximately three months after the project is fully funded. A gallery in the Cleveland area will be selected based on appropriateness and availability. The project will help allay fears about future technology by demonstrating how amazing these tools can be for making art and fashion design even more dynamic.

Please see current examples of how the augmented reality works at the following links: https://www.youtube.com/watch?v=LyAdGiA5eaQ&t=57s https://www.youtube.com/watch?v=alQvw4hNdXM&t=57s

About the Creative Impact Fund 

The Creative Impact Fund, which was established by the Assembly for the Arts, awarded a total of $6,250 to sixteen (16) artists, art collectives, and informal groups. The fund was designed to provide flexible funding and support for transformative arts projects aimed at redlined communities, developing areas with significant arts activity, and promoting increased walkability. The fund aimed to lay the groundwork for the City of Cleveland’s Rescue & Transformation Plan, which prioritized arts and neighborhood amenities.

Individual artists or art collectives of all expressions, including but not limited to painting, sculpture, photography, film/motion pictures, dance, ballet, theatre, music, comedy/improv, writing/literature, architecture, design, and fashion, were welcome to apply to the Creative Impact Fund. Along with funding, CIF offered professional development, marketing support, and connections to creative, business, and institutional networks. The Creative Impact Fund was funded by Cuyahoga Arts & Culture.

Link to see the site.

Robert Banks (Film Maker) left, Georgio Sabino III (Artist Painter & Fashion Designer) center and Dexter Davis (Artist) right, who lived next door to each other.

In a neighborhood that breathed creativity, three remarkable individuals, Robert Banks, Georgio Sabino III, and Dexter Davis, lived as neighbors, each bringing their own unique flair to the artistic tapestry of the arts community. The photograph, beautifully captured by the talented Emmanuel Wallace, embodies the history and talent that permeated the city.

Robert Banks: An American Experimental Filmmaker To the left of the frame, we find Robert Banks, a pioneering American experimental filmmaker, born in Cleveland, Ohio, For over three decades, Banks has been immersed in the world of filmmaking, delving into physical film formats like 16 mm and 35 mm. His remarkable career extends to teaching film at various institutions in Cleveland, including Cuyahoga Community College, the Cleveland Institute of Art, and Cleveland State University.

Banks’s films are not mere celluloid; they are a profound exploration of themes that range from race, culture, media, to art itself. His most renowned work, “X: The Baby Cinema,” a short film critiquing the commercial exploitation of Malcolm X’s image, made its mark at the first New York Underground Film Festival in 1993, winning the Best Experimental award. He’s also graced other prestigious film festivals such as Sundance and SXSW.

In 2019, after seven years of tireless production, Banks completed his first feature-length film, “Paper Shadows.” This cinematic masterpiece is a collage of his experiences and emotions as an artist living and working in Cleveland, securing the Audience Award at the Chicago Underground Film Festival in 2020.

Dexter Davis: A Contemporary Art Visionary On the right side of the frame stands Dexter Davis, a contemporary artist deeply rooted in Cleveland, Ohio. He graduated from the Cleveland Institute of Art and, interestingly, works as a security guard at the Cleveland Museum of Art, where one of his own artworks resides within the collection. Davis is best known for his collage-based paintings that reflect his personal experiences and address critical social issues, including violence, race, and poverty. His thought-provoking work has been displayed at various galleries and festivals, with a significant accolade. Davis’s unique and expressive style has garnered critical acclaim, solidifying his place as one of the most promising artists in the region.

Georgio Sabino III: A Multifaceted Creative At the center of this artistic triumvirate is GS3, a versatile artist who calls Cleveland his home but hails from Columbus, Ohio. Georgio’s creative palette spans across different media, encompassing painting, photography, and fashion design. His remarkable career has seen him honored with invitations to the White House, where he’s captured national champions like the Ohio State Buckeyes and the Cleveland Cavaliers (Anomaly Twice). His collaborations with prominent artists like Hector Vega, Bruce Conforti, Arnold Turner (Los Angles Premier Red-Carpet Photographer), and his authorship of a book about President Obama underline his prominence in the artistic community. Georgio’s work is a testament to his passion for civic engagement, education, and mentoring in the arts. His art is a vibrant exploration of his personal experiences and the pressing social issues of our time, employing dramatic lines, vivid colors, and powerful contrasts. Georgio has not only received awards but also showcased his work in various galleries and Paris Fashion Week 2023, earning him the reputation as one of the most promising artists in the region.

In the photograph by Emmanuel Wallace (Scene Magazine), we witness the coming together of these three incredible artists, their creativity a testament to the rich cultural history of the city. These neighbors have not only shared space but also shared inspiration, enriching the artistic legacy of their community with their diverse talents and a shared love for the arts.

Corporate Art Wellness Workshops

In the bustling heart of New York City or Cleveland Ohio, Georgio Sabino had always been a trailblazer in the world of corporate wellness. With his unique blend of artistic talent and a deep understanding of the healing power of art, he had crafted a reputation that extended far beyond the concrete canyons of any city. He is a corporate wellness artist, a visionary who had taken the art of healing to new heights.

His journey into the world of artistry began in his early years when he discovered his passion for painting. He honed his skills at prestigious art schools, but his true calling emerged when he started experimenting with the fusion of painting, photography, and augmented reality (AR). This innovative approach allowed him to create immersive visual experiences that resonated deeply with people’s emotions and well-being.

As Georgio’s reputation grew, he set his sights on a new challenge: the corporate world. He believed that his unique blend of artistry and wellness could make a profound impact on the lives of the corporate population. His vision was to provide a visual experience that would not only enhance the well-being of employees but also serve as a powerful tool for healthcare and wellness initiatives.

One of his most significant breakthroughs was his ability to use art as a transformative tool during corporate retreats. He believed that when people engaged with art on a personal and emotional level, it could lead to profound insights and personal growth. So, he began collaborating with corporations to design retreats that incorporated his artistry.

At one such retreat for a prominent tech company, he unveiled a masterpiece that combined a large canvas painting with AR elements. The painting depicted a serene forest scene, with vibrant, lifelike animals and plants seemingly coming to life through the AR app. As employees explored the augmented reality, they experienced a deep sense of connection with nature, reducing stress levels and fostering a sense of inner peace. The retreat’s participants left feeling rejuvenated and inspired, ready to tackle their work with renewed vigor.

But his talents didn’t stop at corporate retreats. He also recognized the potential of his artistry in healthcare settings. Hospitals were often sterile and cold places, and patients could feel isolated and anxious during their stays. He saw an opportunity to transform these environments into spaces of healing and comfort.

He partnered with a leading healthcare institution to create a series of healing art installations in their facilities. These installations incorporated his signature blend of painting, photography, and AR to provide patients with immersive experiences that transported them to tranquil natural settings. As patients gazed at these interactive artworks, they found solace and distraction from their pain and anxiety, often reporting shorter recovery times and improved overall well-being.

Georgio Sabino’s artistry had become a beacon of hope and healing in both the corporate and healthcare worlds. Hospitals were choosing his creations because they understood the profound impact they had on patients’ mental and emotional states. His unique approach to corporate wellness was being embraced by businesses seeking to foster creativity, reduce stress, and enhance the overall well-being of their employees.

In a world where the line between work and personal life was becoming increasingly blurred, Georgio Sabino had found a way to bridge that gap. His artistry was not just about creating beautiful visuals; it was about elevating the human spirit, whether in the corporate boardroom or the hospital room. His vision had become a reality, and the world was a brighter, more healing place because of it.

The Guild’s Pivotal Role in Amplifying Diverse Voices in Contemporary Art

Written by Tyron Hoisten

In 2020, the tragic killing of George Floyd by police officers led to a tumultuous period in the Minneapolis community where it happened. Lamar Peterson, a local artist specializing in contemporary art, lived close to the epicenter of the unrest. The atmosphere was thick with smoke and tension, making it feel like an apocalyptic scene. Amidst the chaos of protests and looting, Peterson faced another personal challenge: the pandemic-induced lockdown cut off his access to his studio at the University of Minnesota, where he also teaches. For Peterson, who primarily works with oil paints, this was a significant setback. Art serves as his emotional outlet, and being unable to create was a heavy burden.

Fast forward to today, and Peterson has successfully concluded a recent exhibition at Fredericks & Freiser art gallery in New York’s Chelsea neighborhood. The art pieces showcased are a stark contrast to the grim period he experienced in 2020. They feature vibrant landscapes and Black figures, drawing inspiration from the cartoons of the ’70s and ’80s that shaped his childhood. The art serves as a tribute to the transient beauty of life, influenced by his passion for gardening and the recent passing of his father. The exhibition, named “Proud Gardener,” was a commercial success, with artwork prices ranging from $15,000 to $60,000.

Peterson’s journey reflects a broader shift in the art world. Following the events surrounding George Floyd’s death, there has been a noticeable increase in institutional support for Black artists. While the market for Black American artists has grown significantly since 2008, it still represents a small fraction of global auction sales. However, the interest in African American artists is genuine and growing, according to industry experts. This change is part of a larger effort to correct historical oversights and to diversify the artists represented in museums and galleries.

This brings us to the significance of the 2023 “Outlined In Black Art Exhibition,” presented by the Akron Black Artist Guild in partnership with The University of Akron. The exhibition, on display at the Bierce Library from October 14th to November 18th, is a monumental step in the right direction. It serves as a platform for Black artists to showcase their work, thereby contributing to the broader narrative of contemporary art. The exhibition not only offers these artists a chance to gain visibility but also provides the community an opportunity to engage with diverse artistic perspectives.

The Akron Black Artist Guild’s initiative is particularly timely, given the increased attention and support for Black artists. It’s not just about representation; it’s about creating a lineage and legacy. Artists like Kehinde Wiley and Hank Willis Thomas have gained prominence, influencing a new generation of artists. For instance, Xavier Daniels’ recent show “Cry Like a Man” features portraits of Black men in vivid colors, aiming to convey complex emotions and experiences, including the mental health struggles that many Black men face.

The “Outlined In Black Art Exhibition” is more than just a showcase; it’s a statement. It’s a testament to the resilience, creativity, and diversity of Black artists. It serves as a reminder that art can be a powerful tool for social change, for healing, and for celebrating the richness of human experience. In a world that is slowly but surely recognizing the value of diverse voices, this exhibition stands as a beacon for what is possible when those voices are not just heard but celebrated.

The Long Overstay: French Rule in Africa and the Cry for Infrastructure and Sovereignty

For over five centuries, Africa has endured colonization, oppression, and exploitation by various European powers. Among them, France stands as one of the primary colonizers with a long and controversial history on the continent. Today, the repercussions of this history persist, as African countries under French rule still find themselves grappling with the consequences of the past. One of the most alarming issues is the lack of significant efforts from the French government to aid in the development of infrastructure in these nations, despite their substantial economic contributions.

A Painful Past:

The colonial era in Africa left deep scars, with the French establishing their dominance in numerous territories, exploiting resources, and exploiting the African labor force. It’s crucial to remember that the relationship between colonizer and colonized was not founded on equitable terms. Instead, it was characterized by subjugation, cultural assimilation, and economic dependence, leaving African nations at a severe disadvantage.

500 Years of French Rule:

The French colonization in Africa spanned several centuries, with some countries experiencing French domination for over five hundred years. While the formal colonial period may have officially ended, the legacy of these oppressive systems still lingers. And one of the most controversial aspects of this legacy is the financial arrangements that continue to persist.

Economic Exploitation:

Even after gaining independence, numerous African countries are still economically tied to France through unfair agreements that date back to the colonial era. One significant issue is the obligation for Francophone African nations to deposit their national currency reserves in France at the central bank. This practice started in 1961 and continues to this day. Countries like Benin, Burkina Faso, Guinea-Bissau, Ivory Coast, Mali, Niger, Senegal, Togo, Cameroon, Central African Republic, Chad, Congo-Brazzaville, Equatorial Guinea, and Gabon have their reserves held by France. This practice limits these nations’ economic sovereignty, and it’s high time for it to be addressed.

500 Billion in Aid Paid to France:

Perhaps one of the most shocking revelations is that African countries under French rule are still paying France for past treaties. It is estimated that France has taken over $500 billion from Francophone African countries based on pacts they forced these nations to sign before granting independence. This enormous sum of money has been withheld from the very nations that need it the most for development and infrastructure improvement.

The Call for Change:

It is undeniably imperative that the African continent must unite to create new contracts or treaties that promote equitable terms and mutual development. The need for France to support African nations in rebuilding their infrastructure and fostering sustainable development cannot be ignored any longer. It is high time for the French government to take responsibility for the repercussions of their colonial past and actively participate in empowering these African countries to create societies that reflect the standards of modern living experienced in France and other developed nations.

Creating a Sustainable Future:

African nations are blessed with abundant resources, vibrant cultures, and resilient people. To fully harness these strengths and create prosperous societies, it is essential to free themselves from the chains of economic dependence imposed by historical agreements. France must be held accountable for its actions during the colonial era and participate in a new era of cooperation that fosters growth and development.

It is our duty to shed light on issues that have long remained in the shadows. It is my hope that this article will ignite a global conversation about the need for change and justice, and ultimately pave the way for a brighter and more equitable future for Africa and its people. The time for transformation is now.

Former Art Teacher Danny Carver and Current Art Teacher Georgio Sabino III Participate in Young Visions 2023 Art Exhibit

The Studio in a School Association is thrilled to present Young Visions 2023, an art exhibition showcasing the exceptional artistic accomplishments of students from Studio’s visual arts programs. This eagerly anticipated event will take place at Christie’s New York and will feature over 200 vibrant artworks that celebrate the creativity and talent of the next generation.

This year’s Young Visions exhibition has an exciting addition. The artwork of students from Studio Institute programs in Cleveland, Ohio, Greenwich, Connecticut, as well as East Orange and Newark, New Jersey, will also be displayed alongside the exceptional pieces from Studio’s New York City programs. By incorporating artworks from these diverse locations, Young Visions 2023 underscores the universal themes of joy, curiosity, imagination, and promise that art can inspire among young artists.

Among the distinguished participants in this year’s event are former art teacher Danny Carver and current art teacher Georgio Sabino III. Both educators have made a significant impact on their students’ artistic development and have played instrumental roles in nurturing their creativity.

Danny Carver, a former art teacher at Studio Institute, has a rich history of inspiring students with his passion for art. Throughout his tenure, Carver encouraged students to explore various mediums and techniques, fostering their individuality and artistic expression. His guidance and mentorship have left a lasting impression on many young artists who have since pursued careers in the arts.

Georgio Sabino III, the current art teacher at Studio Institute, has continued the tradition of excellence in art education. His commitment to cultivating a supportive and inclusive classroom environment has empowered students to embrace their unique perspectives and explore their creativity freely. Sabino’s innovative teaching methods and ability to connect with students on a personal level have made him an invaluable mentor.

For Carver and Sabino, participating in Young Visions 2023 is a remarkable opportunity to witness the culmination of their students’ artistic journeys. Seeing the artworks displayed in the prestigious setting of Christie’s New York will undoubtedly be a proud moment for both teachers and students alike.

Young Visions 2023 will be on view from Wednesday, June 21 to Monday, June 26, 2023, at Christie’s New York, located at 20 Rockefeller Plaza, New York, NY, 10020. The exhibition will be open to the public from Monday to Saturday, 10:00 am to 5:00 pm, and on Sunday from 1:00 pm to 5:00 pm. Visitors can expect to be captivated by the remarkable talent and artistic visions of these young artists.

As the Studio in a School Association continues to foster artistic growth and provide opportunities for students to showcase their work, Young Visions 2023 stands as a testament to the power of art education. Through the dedication of teachers like Danny Carver and Georgio Sabino III, students are encouraged to explore their creative potential, igniting a lifelong passion for the arts and creating a brighter future for the artistic community as a whole.

Links Booklet

Christie’s Student Art Exhibit

Cleveland native Agnes Gund, 84, still pushes boundaries in art and philanthropy, nationally and in her hometown by Steven Litt Cleveland.com

At 84, Cleveland native Agnes Gund still pioneers innovative philanthropy blending art and politics
By Steven Litt, cleveland.com
CLEVELAND, Ohio — Few wealthy donors have done more in recent decades to nudge the once-conservative Cleveland Museum of Art to embrace contemporary art than Cleveland native Agnes Gund. But don’t expect the New York-based philanthropist and art advocate to brag about it.
Since 1969, when she donated a large, bright yellow abstract painting by Larry Poons, Gund has given the museum 50 major works by leading post-World War II American artists including Philip Guston, Frank Stella, Donald Sultan, Red Grooms, Claes Oldenburg, Christo, Martin Puryear, Brice Marden, Sol LeWitt, and Robert Colescott.
Those artworks, including Oldenburg’s “Standing Mitt with Ball,’’ a monumental 1973 sculpture of a baseball glove, made with steel, lead, and wood now on view in the museum’s central atrium, have become signature pieces in the institution’s permanent collection.
“Aggie has had a tremendous impact on the Cleveland Museum of Art’s contemporary collection,’’ said Emily Liebert, curator of contemporary art. “For years, she championed contemporary art when no one else was doing that. She really created the foundation on which our department was built.’’
Gund’s generosity to the Cleveland museum is part of her practice over more than five decades of using art and philanthropy to pursue unabashedly progressive aims, including the promotion of social justice and healing racial divisions.
In 2017, for example, Gund made headlines by selling Roy Lichtenstein’s 1962 Pop Art painting,
“Masterpiece,’’ for $165 million, and using $100 million of the proceeds from the sale to launch Art For Justice, a six-year campaign aimed at funding art projects and supporting public policy reforms dedicated to reducing mass incarceration by 20%.
Such largesse has prompted adoring press coverage, including a 2018 profile in The New York Times that ran under the headline, “Is Agnes Gund the Last Good Rich Person?”
But Gund, 84, isn’t one to tout her impact. Instead, she’s more likely to direct attention to artists, foundation leaders, social activists, and fellow philanthropists with whom she feels an affinity.
When asked in a recent interview with Cleveland.com and The Plain Dealer whether she felt she has succeeded in pushing the Cleveland Museum of Art to show greater enthusiasm for contemporary art, she said: “Not very much.’’
Instead, she praised Dealer Tire CEO Scott Mueller, who served as chairman of the museum’s board from 2019 to 2022, and who has donated millions of dollars to the museum, plus nearly two dozen important works of contemporary art, since 2008.
Gund called Mueller, “the big man at the Cleveland museum,’’ and said, “he’s the one that’s very good.’’

When told about Gund’s remarks, Mueller responded via text: “No, she is the one who is an inspiration to anyone in the art world. Her commitment to both artists and curators and museum leadership, in general, is extraordinary. I only hope to be 1% as impactful as she has been.’’
It was a typical exchange about Gund. Speaking of her modesty, New York-based artist Hank Willis Thomas said: “It’s just a part of who she is.’’
Known in Cleveland for co-organizing public dialogues as part of a national series called, “For Freedoms,’’ Thomas added that Gund “obviously has spent most of her life orienting her time, energy and resources toward things that she believes are very important. She probably feels beside the point when she is invited to talk about herself.”
Regular visits to Cleveland
Gund, who visits Cleveland regularly, was in town last month to tour the Cleveland Museum of Art’s Community Arts Center on West 25th Street, to meet with Mayor Justin Bibb, and to promote awareness of the local branch of Studio in a School, the art education program she stated in New York in 1977 that places professional artists in public school classrooms. Works by children in the program were on view at the community arts center, located in the Pivot Center for Art, Dance and Expression.
In addition to Cleveland, the Studio Institute, an affiliate of Studio in a School, operates programs in Chicago, Memphis, New York, Philadelphia, Connecticut, and New Jersey. The program served 565 Cleveland Metropolitan School District students across the city in 2020-2021, and 500 in 2022. Professional artists who receive specialized training to participate were paid stipends to work with children in grades K-8.
This year, the Studio Institute has embarked on a new collaboration with the nonprofit Rainey Institute, which provides after-school, weekend, and summer programs for 2,500 children a year.
Gund’s schedule in Cleveland didn’t allow enough time for a conversation during the visit, but she agreed to a follow-up interview via Zoom. It was a chance for her to reflect on her philanthropy, the role Cleveland has played in her life, and vice versa.
Gund is the second of six children born to Cleveland banker and philanthropist George Gund II, the longtime head of Cleveland Trust, and Jessica Roesler Gund.
Other siblings closely involved with Cleveland have included the late George Gund III, a collector of Japanese art and a former trustee of the Cleveland Museum of Art; investor Gordon Gund, former owner of the Cavaliers; and architect Graham Gund, a graduate of Kenyon College and designer of the Cleveland Botanical Garden’s 2003 Glass House expansion.
Agnes Gund’s daughter Catherine, a filmmaker, chairs the board of the Cleveland-based foundation named for her grandfather, on which she serves along with five other family members from her generation. The foundation had assets of $642 million as of 2021, the latest year for which data were available.
Catherine also recently directed a 90-minute documentary about her mother, titled, “Aggie: An Incredible Story of Art and Justice.”

In 2015, Forbes magazine estimated the Gunds’ wealth at $3.4 billion, dubbing them a
“Renaissance family” for their involvement in everything from banking to sports, real estate, and art.
Rising in art and philanthropy
Agnes Gund joined the board of the Museum of Modern Art in New York in 1976 and later earned a master’s degree in art history at Harvard. She served as MOMA’s board president from 1991 to 2002, a period in which she led the $858 million capital campaign that financed an expansion and renovation designed by Japanese architect Yoshio Taniguchi.
Gund was moved in 2017 to auction Lichtenstein’s “Masterpiece,” after seeing Ava DuVernay’s documentary, “13th,” which explores how inequities of the U.S. justice system and mass incarceration disproportionately affect Black people.
The nonprofit Art for Justice Fund, launched by Gund with a major chunk of the proceeds, supported a dozen major exhibitions nationwide aimed at raising awareness about the justice system. The project also helped to abolish cash bail and post-conviction fees in New Orleans, Houston, and St. Louis, and to make it possible starting in 2018 for former felons to vote in Florida. Even so, Florida laws remain ambiguous, leaving nearly a million Floridians who have finished prison disenfranchised, according to news reports.
Incarceration rates fell nationally by 18% between 2016 and 2021, but rose when the coronavirus pandemic hit, increasing crime and prison populations, said Art for Justice project manager Helena Huang. The project is winding down on June 30, having raised and spent $125 million.
In October, Gund followed up on Art For Justice by selling Lichtenstein’s “Mirror #5,’’ 1970, at auction for $3.1 million to benefit organizations supporting the reproductive rights constitutional ballot measure in Michigan, which passed by a margin of more than 55% of votes cast.
In her interview, Gund said she’s alarmed by the Supreme Court’s Dobbs decision overruling Roe v. Wade, which sent the issue of abortion rights back to states, where majority-Republican legislatures are rolling back reproductive rights.
“Before you know it, there will be very few states that do have full reproductive rights for women,” she said. “We really need to vote and be concerned about who we’re voting for.’’
When asked about the push by Republican state legislators in Ohio to hold an August vote on a ballot issue to impose a 60% threshold on votes to change the state constitution — a move designed to thwart an abortion-rights referendum in November —she said: “I think it’s terrible, I think it’s awful.’’
She’s also disturbed by “anti-woke” legislation pushed by Florida Gov. and Republican presidential primary candidate Ron DeSantis, including a 2022 measure that imposes guidelines for books with content deemed inappropriate on grounds of race, sexuality, gender, and depictions of violence.
Gund said the bill is leading to censorship, which “is going to be the death knell of our system if we don’t get a hold of it and reverse it.”
Amid the growing national division over race, policing, and vigilantism, Gund said she fears for the safety of the six of her 12 grandchildren who are Black.

“I feel scared for them a lot of the times if they are wearing hoodies,’’ she said. “I don’t know if they know how vulnerable they are.”
Gund explained her passion for social justice as a response to her upbringing in Cleveland, which she called “a city that really was polarized.’’
During Sunday drives into Cleveland with her family from Beachwood to worship at Trinity Cathedral, Gund was disturbed by the poverty she glimpsed through the car window in racially segregated neighborhoods.
“Nobody should be put in the position that Blacks have been put,’’ she said.
Diversifying a museum collection
One of the subtle ways in which Gund has worked to change perceptions of race in Cleveland is by giving the art museum works by Black artists including Puryear, Colescott, and Rashid Johnson.
Gund works hard at obtaining such objects, Johnson said, speaking from his studio in the Brooklyn, New York neighborhood of Bushwick.
In 2021, he set aside a massive wall-mounted mosaic, “Standing Broken Men’’ as a pivotal piece that he didn’t intend to sell. The work depicts fragmented bodies of two Black men stand ing above a boat-like form. He intended the image to evoke “being in the same boat,’’ in a time of “collective concern,’’ during the COVID-19 pandemic. At the same time, the painting refers, he said,
to “autonomy and individual thinking.’’
When Gund showed up 45 minutes early for a studio visit as part of a larger group so she could spend time alone with Johnson, she recognized the significance of “Standing Broken Men’’ in Johnson’s career and told him on the spot that she wanted to buy it for the Cleveland Museum of Art. Would he part with it?
“It was an easy yes at that point,’’ Johnson said. “She wasn’t asking for herself. It was essentially,
‘Can everyone see this?’ For most artists, I would like to think the answer would be yes. To produce the opportunity for people to have access to an artwork the way she was intending at the museum, it was impossible not to say yes.”
Gund’s donation of some 800 objects to the Museum of Modern Art, dwarfs the number of gifts she has given to the Cleveland museum. But that doesn’t diminish the impact of her contributions to her hometown museum, which is considerable.
She’s been generous, in part, because she believes the museum is one of the best in the U.S., and she wants to keep pushing it forward. She feels that it isn’t getting the attention it deserves from outside the region, especially from major coastal newspapers.
“I don’t think they ever get enough play,’’ she said.
And, despite the large number of artworks she’s already donated in Cleveland, she has no intention of stopping. She has plans for significant future gifts, although for now, she’s mum on the topic.
But rest assured, she said, “there’s quite a bit that’s coming their way.”

Dear Aggie Gund

I hope this letter finds you well. As an art teacher at the Studio Institute in Cleveland, I wanted to take a moment to express my deep admiration for your incredible contributions to the world of art and philanthropy. Your unwavering commitment to using art as a means of promoting social justice and healing racial divisions is truly inspiring.

Your generosity towards the Cleveland Museum of Art has had a profound impact on our institution, particularly in pushing us to embrace contemporary art. Your support has opened doors for artists and audiences alike, fostering a space where progressive ideas can flourish. We are incredibly grateful for your dedication to nurturing a thriving artistic community.

I was particularly moved by your initiative, Art For Justice, which aims to reduce mass incarceration through art projects and public policy reforms. The $100 million you allocated from the sale of Roy Lichtenstein’s “Masterpiece” has allowed for the funding of crucial initiatives. It is through efforts like yours that we can address social issues and create positive change in our society.

At the Studio Institute, we strive to empower young minds through art education. The collaboration between our program and the Rainey Institute has provided invaluable after-school, weekend, and summer programs for 2,500 children each year. By partnering with professional artists who receive specialized training, we ensure that our students receive top-notch instruction and guidance.

Last year, I had the pleasure of teaching at Mary B. Martin, where the students had the opportunity to display their artwork at Christie NYC. Witnessing their joy and excitement as they saw their creations showcased in such a prestigious setting was truly heartwarming. Their smiles were contagious, and it was evident that their hard work and dedication had paid off. From watercolor to model clay, painting to ink, charcoal to oil pastels, and self-portraits, their artistic range was impressive.

Teaching the principles of art and design to our K-8 students not only provides them with a solid foundation but also encourages them to think creatively and break the rules as they grow older. It is through this process that we nurture their artistic expression and enable them to explore different genres. In Shawn Kerns’ class, for example, the children have discovered a passion for clay animation projects, showcasing their boundless imagination and talent.

The enthusiasm and dedication of our students are a testament to the impact of art education on their lives. They eagerly make up missed classes because they don’t want to miss out on the opportunity to learn and create. Witnessing their growth and witnessing their artistic journeys is a constant source of inspiration for us as teachers.

Once again, Aggie Gund, I want to express my heartfelt appreciation for your contributions to the art world and the lives of so many individuals. Your dedication to promoting social justice through art is truly remarkable. Your impact reaches far beyond the Cleveland Museum of Art, and I am honored to be part of a larger movement that you have helped shape. Thank you for all that you do.

I wanted to take a moment to share with you another endeavor I am involved in, one that extends beyond my role as an art teacher. I am currently working on creating an app called Govia, which aims to provide assistance to individuals, particularly those who are economically disadvantaged, when they encounter legal issues during a traffic stop.

The app seeks to promote accountability between individuals and police officers by offering immediate access to legal representation in moments of need. By providing an attorney on-demand, we aim to facilitate constructive conversations between the parties involved, fostering understanding and resolution. Additionally, recognizing the importance of mental health, we also offer access to a mental health support staff for individuals who require such assistance.

I invite you to visit www.Govia.app to learn more about the app and its objectives. Your support would be greatly appreciated, and you have the opportunity to become one of our legacy donors. Your contribution would help us further develop and expand the reach of the app, enabling us to provide crucial support to individuals in need.

Thank you for taking the time to consider our initiative. Your dedication to promoting social justice and using art as a tool for positive change has been truly inspiring. I believe that Govia aligns with the values you hold dear, and I would be honored to have your support.

Artist’s Launchpad Akron Ohio Program GS3 Speech

Hello my name is Georgio Sabino III I am an Artist!

Within my artistic practice, I explore four distinct perspectives that shape my work: the adventurous spirit of GS3, the curious eyes of seventh-grade, the serious demeanor of businessmen, and the visionary thinker or futurists. These diverse facets have influenced my body of work, where color and shape intertwine to create a captivating experience on canvas or silk. To embrace the present and the advancements of technology, I incorporate augmented reality (AR) experiences, making my work interactive and engaging for contemporary society.

My ultimate goal is to encourage viewers to slow down and become an integral part of the artwork, allowing them to truly immerse themselves and appreciate the layers, perspectives, and celebration of nature. By providing an opportunity for the viewers to “smell the roses,” I hope to create a profound and contemplative experience. Nature, being a true wonder of the world, serves as the focal point of my art, reminding us of our interconnectedness with the delicate ecosystem we originate from.

Art, much like foreplay, demands active involvement, observation, and comprehension. It should not only be admired for its beauty but also for the intricate and delicate ecosystem it represents. By slowing down and attentively listening to nature, we can uncover the answers that lie right in front of us.

  1. Throughout the Artist Launchpad program, what surprised me the most about myself was my unwavering focus on my passion for creation and my ability to effectively document and share my artistic vision.
  2. I am currently experiencing success by participating in a major show in Cleveland, with another exhibition scheduled for 2024. However, I anticipate further success when I can showcase my work in Paris and New York City.
  3. As an artist, my primary values are rooted in five key principles that shape my artistic practice. I value creativity, seeking inspiration from artists like Basquiat, blending the unexplored to create novel techniques and ideas. Authenticity is essential to me, drawing influence from Romare Bearden, as it allows my work to reflect my multicultural background. I strive for a profound connection between my art and its audience, similar to Francisco Goya’s work. Lastly, I firmly believe in utilizing my art to make a positive impact on individuals and society, as demonstrated in my graduate thesis addressing important issues and inspiring change called Educational Genocide.
  4. Over the next 3-5 years, I have set three goals or intentions as an artist. Firstly, I aim to teach at a fashion school in Paris. Secondly, I intend to establish a presence in Paris with my art and wedding photography. Lastly, I aspire to organize an art and fashion show in the city, incorporating augmented reality (AR). Achieving these goals will require coordinating with the school, securing resources for teaching, investing in photography equipment, continually building my portfolio, marketing my services, obtaining funding for the show, and forming strategic partnerships. Exploring funding opportunities and collaborating with local artists and organizers will be crucial in attaining these objectives.
  5. My artistic practice possesses three unique elements: the fusion of nature, technology, painting, and photography; the observation of fashion trends and the expression of women’s desires; and the creation of mystery and excitement. These elements can be leveraged to communicate about my art in various ways. Through exhibitions and fashion shows, I can showcase the fusion of different mediums, emphasizing the connection between art and fashion. Engaging with the audience through feedback and social media platforms will allow me to involve them in the artistic process. By effectively communicating these unique elements, I can establish a strong brand and identity to attract a wider audience, positioning myself as an innovative artist at the intersection of art, technology, and fashion.
  • I gained several significant takeaways from the program that I would like to share. Firstly, the program emphasized the immense value of sharing knowledge and experiences through interactions with speakers and fellow artists. This exchange of ideas and insights provided a rich learning experience and underscored the importance of networking.

Secondly, the program highlighted the significance of building a supportive community of artists and nonprofits. Collaborating and uplifting one another fosters inspiration, growth, and mutual success within the artistic community. I found great value in being able to share what I have learned with other artists, whether it was through class discussions or by showcasing my work at the UH Trudy Wiesenberger Gallery. These experiences allowed me to provide firsthand insight into the business side of being an artist and engage my audience effectively.

Lastly, this program has refocused and refined my knowledge and skills, enhancing my artistic practice. It has nurtured my creativity and reinforced the importance of having a supportive artistic community. By participating in this program, I have gained valuable tools to express myself effectively on paper and fostered a deeper understanding of the inherent value of collaboration and support in the arts.

Fennville Comes Together to Honor Immigrants with Art Event: “Reaching for the Stars” Sculpture Unveiled

Fennville, MI – In a heartfelt tribute to the immigrants who have played a vital role in the local community, Fennville held a remarkable art event on Saturday, May 6th. The event was centered around the unveiling of a stunning 12-foot aluminum sculpture called “Reaching for the Stars,” located at the Fennville Library. The community rallied around this meaningful piece of artwork, which serves as a symbol of gratitude and recognition for the immigrants who tirelessly pick fruits and vegetables in the area.

The artist behind this extraordinary sculpture is Hector Vega, a talented visionary from Cleveland, Ohio. Hector’s works of art are known for their depth and emotional impact, and “Reaching for the Stars” is no exception. The sculpture stands tall and proud, representing the aspirations and dreams of the immigrant community in Fennville. Its design is a result of extensive research and community engagement, with Hector personally meeting and understanding the lives of immigrant farmers in the area.

What makes “Reaching for the Stars” even more special is the integration of Augmented Reality (AR) by Georgio Sabino III, who traveled alongside Hector from Cleveland, Ohio. This cutting-edge technology allows the sculpture to become interactive, enabling the community to enjoy an immersive experience. By using their smartphones or tablets, visitors can unlock additional layers of the artwork, making it a truly engaging and unforgettable encounter. Moreover, a drone YouTube short film will be created to document the exhibit, capturing its essence and impact for posterity.

The unveiling of “Reaching for the Stars” was featured in the April 27th, 2023 issue of The Commercial Record (www.WilcoxNewspaper.com), accompanied by a captivating photograph and an article. The Fennville Library, located at 400 W Main Street, served as the venue for the sculpture dedication, which took place from 6 pm to 9 pm on the designated day. The driving force behind this remarkable project was Mary Jo Lemanski, with the Saugatuck Douglas Fennville Arts Initiative (SDFAI) working closely with the City of Fennville and the Fennville District Library.

The sculpture dedication ceremony featured a performance by the Fennville band Grupo Fierro, further enhancing the festive atmosphere. Additionally, the library showcased other paintings by Hector Vega, providing visitors with a broader glimpse into his artistic journey. It is essential to acknowledge the collaborative effort and support from various organizations and businesses in Fennville, including Fennville Friends of the Library, Salt of the Earth, Root, Blue Goose Cafe, and El Jaripeo.

The “Reaching for the Stars” sculpture dedication event was a testament to the power of art in celebrating and honoring the immigrant community in Fennville. It served as a reminder of the invaluable contributions made by immigrants, while also fostering unity and appreciation within the local community. The sculpture, along with Hector Vega’s art, will continue to inspire and provoke dialogue, leaving a lasting impact on all who encounter it.

Georgio Sabino III: A Fashion Designer Blending Art and Fashion (AR)

Georgio Sabino III, a fashion designer, fashion photographer, and textile designer, is changing the game with his unique approach to fashion. By combining his love for art and fashion, Sabino creates designs that are bold, flashy, and unlike anything seen in traditional fashion.

Sabino draws inspiration from nature and often incorporates dragonflies, butterflies, and hummingbirds into his designs. He believes that by bringing the natural world into the fashion world, he can create a depth that is often missing in traditional fashion. Sabino’s unique style has a depth that is unseen in the fashion world, and he has quickly made a name for himself in the industry.

One of Sabino’s signature approaches is his use of paintings that are showcased in art galleries as a source of inspiration for his textile designs. After creating these paintings, he then prints the designs on silk and satin fabrics to create couture garments. Sabino designs the garments himself, and seeing them come to life on models who walk the runway fills him with a sense of nirvana (a childhood dream).

Sabino’s work goes beyond just creating couture garments. He also creates AR augmented reality around the fashion runway and art exhibits. He wants his work to be more than just clothing; he wants it to be a full experience for the audience.

Recently, Sabino flew to Paris to photograph his latest couture wardrobe. He worked with two models named Ines and Iga and captured stunning shots around the city during fashion week. The excitement and energy were palpable, and Sabino felt like he was truly living his dream. Upon returning to his studio in Akron, Ohio, he continued to work on his couture garments and photographed them on two models named Ebone and Kyla.

When asked about his inspiration, Sabino said, “I draw inspiration from the natural world and the beauty that surrounds us. I want my work to reflect that beauty and bring it into the fashion world.”

Sabino’s work is a testament to the power of combining different forms of art to create something truly unique. His approach to fashion is refreshing and exciting, and we can’t wait to see what he has in store next.